{"id":31826,"date":"2026-03-28T21:35:38","date_gmt":"2026-03-29T01:35:38","guid":{"rendered":"https:\/\/lequotidien509.com\/?p=31826"},"modified":"2026-03-28T21:35:38","modified_gmt":"2026-03-29T01:35:38","slug":"haiti-unesco-trace-veve-baky-popile-gardy-girault","status":"publish","type":"post","link":"https:\/\/lequotidien509.com\/en\/haiti-unesco-trace-veve-baky-popile-gardy-girault\/","title":{"rendered":"Haiti Submits Trac\u00e9-V\u00e8v\u00e8 to UNESCO, Baky Popil\u00e8 Returns, Gardy Girault Releases Jete Dlo"},"content":{"rendered":"<h4 data-section-id=\"xig3so\" data-start=\"434\" data-end=\"442\">Haiti<\/h4>\n<p data-start=\"444\" data-end=\"833\">On March 26, 2026, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Haiti<\/span><\/span> officially submitted to <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">UNESCO<\/span><\/span> the application file for the \u201cSavoir-faire of Trac\u00e9-V\u00e8v\u00e8,\u201d seeking inclusion on the Representative List of the Intangible Cultural Heritage of Humanity. <a href=\"https:\/\/potomitanm.com\/le-vodou-dans-son-art-comment-il-a-fascine-lun-des-plus-grands-penseurs-de-france\/\">Already listed in Haiti\u2019s national registry, Trac\u00e9-V\u00e8v\u00e8 stands as a symbol of creativity, memory, and resilience.<\/a><\/p>\n<p data-start=\"835\" data-end=\"1101\">In the music scene, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Charlin Bato<\/span><\/span> collaborates with Tanzanian singer <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">In\u00e9s Ragu\u00ebl<\/span><\/span> on the single \u201cPardon,\u201d a track blending Creole and French while exploring themes of tension and forgiveness within a relationship.<\/p>\n<p data-start=\"1103\" data-end=\"1459\">After three years of absence, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Baky Popil\u00e8<\/span><\/span> returns to the stage with the \u201c286 Tour,\u201d performing key tracks from his album <em data-start=\"1254\" data-end=\"1260\">KAIA<\/em> alongside <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Kenny Ha\u00efti<\/span><\/span> and <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Millz<\/span><\/span>. The performance highlights resilience and renewed energy, reaffirming his place in the Haitian music scene.<\/p>\n<p data-start=\"1461\" data-end=\"1736\">DJ and producer <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Gardy Girault<\/span><\/span> releases \u201cJete Dlo,\u201d a track blending Raratech with electronic sounds while incorporating Vodou symbolism. The project reflects an effort to reinterpret Haitian heritage through contemporary and international formats.<\/p>\n<p data-start=\"1738\" data-end=\"1996\">On March 27, 2026, Haiti\u2019s national football team unveiled its new jersey for the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">2026 FIFA World Cup<\/span><\/span>, featuring designs inspired by Verti\u00e8res, the coastline, and the country\u2019s vegetation merging cultural identity with athletic performance.<\/p>\n<h4 data-section-id=\"zsyv06\" data-start=\"2003\" data-end=\"2014\">Diaspora<\/h4>\n<p data-start=\"2016\" data-end=\"2200\">Canadian-Haitian singer <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">M\u00e9lissa Laveaux<\/span><\/span> released her fifth album, <em data-start=\"2104\" data-end=\"2140\">At My Softest, I<a href=\"https:\/\/lequotidien509.com\/en\/bedjine-foli-renmen-abigail-alexandre-eloquentia-alan-cave\/\"> Am Most Dangerous<\/a><\/em>, drawing inspiration from themes of death and spirituality.<\/p>\n<p data-start=\"2202\" data-end=\"2550\">Artists <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Afroya<\/span><\/span>, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Misha\u00ebl<\/span><\/span>, and <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Kelly Krow<\/span><\/span> present \u201cPare,\u201d a single combining Afro House with Haitian Creole, designed for clubs and digital platforms. The collaboration reflects the global reach of Haitian music while maintaining strong cultural roots.<\/p>\n<h4 data-section-id=\"sbxxa7\" data-start=\"2557\" data-end=\"2573\">International<\/h4>\n<p data-start=\"2575\" data-end=\"2854\">The iconic radio show <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Couleurs Tropicales<\/span><\/span>, hosted by <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Claudy Siar<\/span><\/span> on <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">RFI<\/span><\/span>, is coming to an end after 31 years on air, marking the close of a major chapter in the promotion of Black music worldwide.<\/p>\n<p data-start=\"2856\" data-end=\"3137\">Streaming platform <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Spotify<\/span><\/span> is testing a new feature called \u201cArtist Profile Protection,\u201d allowing musicians to control how their content is published and associated online, addressing concerns related to digital security and AI-generated content.<\/p>\n<p data-start=\"3139\" data-end=\"3381\">In the United Kingdom, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Queen Camilla<\/span><\/span> has become the first woman admitted to the prestigious <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Garrick Club<\/span><\/span> in <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">London<\/span><\/span>, ending 193 years of male-only tradition.<\/p>\n<p data-start=\"3383\" data-end=\"3421\"><strong><em data-start=\"3383\" data-end=\"3421\">Soraya Ades <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Haiti On March 26, 2026, Haiti officially submitted to UNESCO the application file for the \u201cSavoir-faire of Trac\u00e9-V\u00e8v\u00e8,\u201d seeking inclusion on the Representative List of the Intangible Cultural Heritage of Humanity. Already listed in Haiti\u2019s national registry, Trac\u00e9-V\u00e8v\u00e8 stands as a symbol of creativity, memory, and resilience. In the music scene, Charlin Bato collaborates with Tanzanian singer In\u00e9s Ragu\u00ebl on the single \u201cPardon,\u201d a track blending Creole and French while exploring themes of tension and forgiveness within a relationship. After three years of absence, Baky Popil\u00e8 returns to the stage with the \u201c286 Tour,\u201d performing key tracks from his album KAIA alongside Kenny Ha\u00efti and Millz. The performance highlights resilience and renewed energy, reaffirming his place in the Haitian music scene. DJ and producer Gardy Girault releases \u201cJete Dlo,\u201d a track blending Raratech with electronic sounds while incorporating Vodou symbolism. The project reflects an effort to reinterpret Haitian heritage through contemporary and international formats. On March 27, 2026, Haiti\u2019s national football team unveiled its new jersey for the 2026 FIFA World Cup, featuring designs inspired by Verti\u00e8res, the coastline, and the country\u2019s vegetation merging cultural identity with athletic performance. Diaspora Canadian-Haitian singer M\u00e9lissa Laveaux released her fifth album, At My Softest, I Am Most Dangerous, drawing inspiration from themes of death and spirituality. Artists Afroya, Misha\u00ebl, and Kelly Krow present \u201cPare,\u201d a single combining Afro House with Haitian Creole, designed for clubs and digital platforms. The collaboration reflects the global reach of Haitian music while maintaining strong cultural roots. International The iconic radio show Couleurs Tropicales, hosted by Claudy Siar on RFI, is coming to an end after 31 years on air, marking the close of a major chapter in the promotion of Black music worldwide. Streaming platform Spotify is testing a new feature called \u201cArtist Profile Protection,\u201d allowing musicians to control how their content is published and associated online, addressing concerns related to digital security and AI-generated content. In the United Kingdom, Queen Camilla has become the first woman admitted to the prestigious Garrick Club in London, ending 193 years of male-only tradition. Soraya Ades<\/p>\n","protected":false},"author":9,"featured_media":31827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_crdt_document":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"4","parallax":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"topbottom","share_float_style":"share-monocrhome","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_comment_section":"1","number_popup_post":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":"Haiti submits Trac\u00e9-V\u00e8v\u00e8 to UNESCO, Baky Popil\u00e8 returns to stage, and Gardy Girault releases \u201cJete Dlo\u201d in a wave of cultural innovation."},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3236,3235],"tags":[],"class_list":["post-31826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lequotidien509.com\/wp-content\/uploads\/2026\/03\/Culturelle-69.webp?fit=1920%2C1080&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/posts\/31826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/comments?post=31826"}],"version-history":[{"count":1,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/posts\/31826\/revisions"}],"predecessor-version":[{"id":31828,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/posts\/31826\/revisions\/31828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/media\/31827"}],"wp:attachment":[{"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/media?parent=31826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/categories?post=31826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lequotidien509.com\/en\/wp-json\/wp\/v2\/tags?post=31826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}